See Amp Designer effects overview. Microphone parameters: Located at the right of the interface, these parameters set the type and position of the microphone that captures the amplifier and cabinet sound. See Amp Designer microphone parameters. Output slider: The Output slider or the Output field, in the small interface is found at the lower-right corner of the interface.
It serves as the final level control for Amp Designer output that is fed to ensuing Insert slots in the channel strip or directly to the channel strip output.
Note: This parameter is different from the Master control, which serves the dual purpose of sound design as well as controlling the level of the Amp section. Window size: In Logic Pro, click the disclosure arrow to switch between the full and small versions of the interface. You can learn about different Amp Designer models, their tone and sonic character, and the musical styles they have traditionally been associated with.
The Tweed models are based on American combos from the s and early s that helped define the sounds of blues, rock, and country music.
They have warm, complex, clean sounds that progress smoothly through gentle distortion to raucous overdrive as you increase the gain. Even after half a century, Tweeds can still sound contemporary. Many modern boutique amplifiers are based on Tweed-style circuitry. For extra definition, set the Treble and Presence controls to a value around 7. It is more open and transparent-sounding than the Small Tweed Combo, but it can deliver crunchy sounds. It is quite punchy-sounding and can deliver the clean and crunch tones that Tweed combos are known for.
Tip: Tweed combos are responsive to playing dynamics. Adjust the knobs to create a distorted sound, then reduce the level of your guitar volume knob to create a cleaner tone. Turn up your guitar volume knob when soloing.
These tend to be loud and clean with a tight low-end and restrained distortion. Great for lush, reverb-saturated chords or strident solos. It can be crunchy when overdriven, but most players favor it for clean tones. It excels at clean tones with a minimal overdrive. This model is favored by blues and rock players. Tip: Although these amps tend toward a clean and tight sound, you can use a Pedalboard distortion stompbox to attain hard-edged crunch sounds with sharp treble and extended low-end definition.
See Pedalboard distortion pedals. Please note that shipping costs are non-refundable. If you receive a refund, the cost of shipping will be deducted from your refund.
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The refund will be sent back to the original form of payment. To get a refund, please contact Positive Grid Customer Support with the following information:. I'm pretty sure it's a Marshall Super Lead running on a variac set to about 80 volts - giving early distortion from power supply sag. Eddy Van Halen used a "Brown" setup. I found Guitar Amp Pro quite usable, but the main thing was to reduce the high end. At that point it got a lot creamier. That's one of the main things to do to get it to sound right.
My guitar playing friend tells me that the two systems will respond to the guitar player differently, and there's nothing I can do about that that I know of. I input my guitar sounds off the keyboard
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